acrylic paintings
original photo by marine sgt jaxson fryar, uss pearl harbor, august 16, 2021
This painting was intimidating when I first began, but it taught me the value of patience. I took my time with every brushstroke, focusing on the details and trusting the process, even when the outcome wasn’t yet clear. In the end, the effort was worth it. I love the colors, the depth, and the level of detail in this piece, but even more, I appreciate everything it taught me along the way. Of all the paintings I’ve created, this one remains my favorite.
original photo by scott peterson, fallujah iraq, november 22, 2004
This was my first attempt at a photorealistic painting. I used a photograph from Fallujah as my reference—an image that instantly brought me back to what that city felt like in 2004. It was a dangerous place, deep inside a city where every street, alley, and rooftop carried uncertainty, and where there were men actively trying to kill us. The painting process carried some of that emotion with it. At times, I caught myself rushing through sections or not giving the details the attention they deserved. Some of my time working on this piece was spent under stress, and it showed in my brushwork.
original photo by marine Cpl. Reece Lodder, Waimanalo, Hawaii, January 13, 2011
I chose this image because I know exactly what it feels like to be soaked, exhausted, and covered in sand. The difference is, I never looked this cool doing it. I took my time with this painting because I wanted to improve my brushwork and develop better control over the acrylic paint. Rather than rushing to finish, I focused on making each brushstroke intentional and achieving smooth, even coverage. It became an exercise in patience, discipline, and refining the fundamentals of my technique.
This painting is based on a photograph by Jake Shimonek. I chose this image as an opportunity to step away from my usual focus on portraiture and explore a different subject. The biggest challenge wasn't the painting itself—it was finding the perfect frame. I wanted to create a sense of tension between the modern rifle and the ornate Baroque-style frame, contrasting contemporary military equipment with the elegance and craftsmanship of classical design. That juxtaposition became an important part of the piece, inviting the viewer to see the subject in a different light.
.jpeg)
original photo by anonymous marine near Fallujah, Iraq, November 2004
This painting is based on a photograph taken near Fallujah, Iraq, in 2004 by a Marine from 1st Platoon, Charlie Company, 1st Battalion, 8th Marines. I created this piece as a retirement gift for a Marine and close friend who served in that platoon and later became our Platoon Sergeant. His leadership earned the respect of every Marine and Sailor in the unit, and he set the standard that so many of us aspired to follow. As I painted, I found myself reflecting on my own time serving alongside the Marines and Sailors of 1st Platoon. The hours spent working on this piece became an opportunity to think about the lessons in leadership, sacrifice, and brotherhood that continue to shape how I live my life today. I consider myself incredibly fortunate to have served with him and with every Marine and Sailor of 1st Battalion, 8th Marines. This painting is both a tribute to one exceptional leader and a reminder of the lasting bond we all share.